In the following passage, some words have been deleted. Read the passage carefully and select the most appropriate option to fill in each blank.

When he was in college, a famous poet made a useful distinction for him. He had drunk (1) _______ in the poet's company to be compelled to describe to him a poem he was (2) _______ of. It would be a monologue of sorts, the self-contemplation of a student on a summer afternoon who is reading Euphuise. The poem itself would be a subtle (3) _______ of euphuisms, translating the heat, the day, the student's concerns, into symmetrical posies; translating even his (4) _______ and boredom with that famously foolish book into a euphuism.
The poet nodded his big head in a sympathetic, rhythmic way as this was (5) _______ to him, then told him that there are two kinds of poems. There is the kind you write; there is the kind you talk about in bars. Both kinds have value and both are poems; but it's fatal to confuse them.
Select the most appropriate option to fill in blank no. 5.

In the following passage, some words have been deleted. Read the passage carefully and select the most appropriate option to fill in each blank.

When he was in college, a famous poet made a useful distinction for him. He had drunk (1) _______ in the poet's company to be compelled to describe to him a poem he was (2) _______ of. It would be a monologue of sorts, the self-contemplation of a student on a summer afternoon who is reading Euphuise. The poem itself would be a subtle (3) _______ of euphuisms, translating the heat, the day, the student's concerns, into symmetrical posies; translating even his (4) _______ and boredom with that famously foolish book into a euphuism.
The poet nodded his big head in a sympathetic, rhythmic way as this was (5) _______ to him, then told him that there are two kinds of poems. There is the kind you write; there is the kind you talk about in bars. Both kinds have value and both are poems; but it's fatal to confuse them.
Select the most appropriate option to fill in blank no. 5.